His friend, Zalman, who is going to sit for one of Louie's pictures is a voice over man and has just landed a voice over contract with a new studio. But he's sick and can't make it to the voiceover. He doesn't want to make a bad impression and never get called back so he convinces Louie to go in his place and pretend to be him. That is how Louie meets Sybil and spends the afternoon with her. Did I mention that the voice over was for a porno flick?

Sybil has problems. First of all, her sick grandfather needs medication she can't afford. Then she tells how she had fallen in love with a pianist at a resataurant in which she worked and, through a series of comical errors, he was imprisoned over his passion for her. He was getting out the next day and she would like to have a new dress to meet him in. Louie, smitten, gives her the money for both only to return later to find the dress returned.

Thinking he has been ripped off when he was so hopeful of a romance with Sybil and threatened again to find a suitable Jesus or lose his job, Louie is thrilled when a downtrodden Jeff Goldblum appears outside the window hungry, tired and wet from rain. The resemblance is wonderful and Goldblum becomes an overnight sensation with his pictures on buses and keychains and the whole works.

These three paths crisscross and intersect in the most ingenious ways as Sybil tries to find Louie (thinking his name is Zalman), Louie tries to find Sybil and Goldblum becomes convinced that he IS Jesus but is torn between his new found identity and his desire for revenge on the woman who sent him to prison.

While there is nothing patently offensive, there are adult situations.